Biography

Know more about me
started with this mixer-sampler combo

My 1st beat was made with this piece of equipment. I sampled Souls of Mischief “Never No More.” 

Transformation

From Humble Beginnings to Musical Mastery
NExt Level of Production

Yeah, I am old enough to have owned a SP1200 when it was state-of-the-art technology. I would go to class at UAPB, work my Work Study job, leave there to work at the liquor store, and then come home to produce music until 5 or 6 AM and then go back to class at 9 AM. Memories!!!

Got really creative using this software

Most of my catalog came from using this software!

The Workhorse of my studio
Delve into the story behind my unwavering passion for music

I engulfed myself into the Native Instruments’ environment, and found out that I had access to a whole world of plugins, VST’s, and sound banks. Once I learned the workflow, music once again changed me.

Musical Exploration
Unveiling Boundless Creative Horizons

I am also looking to expand into other genres to push my musical boundaries… Stay tuned!

Unheard is the sound of pressure turned into rhythm.

I produce music for people who still believe a track should have weight. Not just bounce. Not just polish. Weight. My sound lives somewhere between hip-hop discipline, soul memory, cinematic tension, and late-night reflection. The drums have to speak. The bass has to carry authority. The melodies have to feel like they came from somewhere lived-in, not manufactured for a trend.

The production is raw where it needs to be raw, clean where it needs to be clean, and intentional everywhere else.

Tracks like **“The Last Escapes”** carry the feeling of movement — like somebody leaving one life behind while another one is closing in. **“Guitar and a Drum Line”** shows the foundation: rhythm, texture, and restraint. No wasted motion. Just groove, pulse, and atmosphere. **“New Age Smokin”** leans into the smoke — moody, hypnotic, and slightly dangerous. **“Take All Free Money”** brings that darker pocket: bass-heavy, cinematic, strategic, and built with tension in the room.

That is the Unheard sound.

I am not chasing what is loudest online. I am chasing what lasts after the noise clears. My production is built for artists who need tracks with character, not templates. Music with shadow. Music with command. Music that gives a rapper room to talk like they mean it, gives a singer space to bleed into the record, and gives the listener something they can feel before they can explain it.

I come from the era where producers had fingerprints. You could hear the mind behind the beat. That matters to me. I want the drums to have posture. I want the sample or melody to carry a mood. I want the record to feel like a scene, not just a loop. Even when the track is simple, it should still feel designed.

Unheard is hip-hop with memory. R&B with smoke. Soul with structure. Pressure with rhythm.

This is not background music.

This is production for artists who need the room to get honest, get sharp, get dangerous, get reflective, or get undeniable.

Because some sounds are made to be heard.

Others are built to be felt first.

newsletter to The unheard coming sooN!​

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